Tuesday, May 17, 2011

The Error Is : Memory Access Violation

Francisco Barrios was presented "Mastuerzo" with Corn Jijos in Querencia Restaurant Bar





By: Robert A. Capin Valenciano

Within this broad mosaic that is the song, there is that part of a certain irreverence for itself, but always with the pattern of reading that goes beyond being provocative or booster, but for the same act to influence the thinking, which often know they do not discharge their responsibilities.

Thus, basically we know that there are few of these tireless and daring songwriters who, under the combination of critical and acerbic sense, coupled with the essential touch of humor, makes these songs makers seek that unfailing and unwavering share utopia .

This time, the land reaches the rolero potosinas decanted not only dedicated his compositions large minority, love the simple things in life, the Zapatista Army and the arrogance, but as he defines them, "serve to blend reality and take a real commitment to his artistic work."

Under a project that has been embraced by their carnal musicians who are defined more by what is and what are each of its members, hence they do it very special and define for themselves and present themselves as Francisco Barrios jijos cress and maize.

Thus, this Mexican rock voice of the people that were born, the country that contains a Latin American rock and raised. These corn jijos appeared before potosina the band in the space of Querencia Restaurant, as part of the celebrations of its fifth anniversary, in the so called "Festival of the song.

As the main protagonist, the song itself, though the words made mentoring songs running under the responsibility of the "Mastuerzo" Barrios, founder of the legendary Mexican band bottle of sherry, this seems to become inconsequential and only turn on half to be posted on the song itself.

But before this concert, musical interlude had the presentation of two singers, who in his speech presented their work authorial musical, as were the Peruvian-Mexican, Andrés Herrera and San Luis Darío Parga, who incidentally I consider it as a good composer Mastuerzo.

After the musical interlude, take what is this small stage, cress and Corn Jijos among the highlights of a beautiful arch, to detonate a witty musical, but with a possible sustained wealth of music: rock, blues , funk, cumbia, ranchero and what other musical essences that give form to the song.

cress As rightly say, "we take a trip into the tunnel of time and greet the great friends of these lands Potosí."

With songs like, "the rhino-,-Bartolo," "the window that is indeed the first song that put together as a band-,-dancing, or dancing with your eyes follow - the Zapatistas Gutxi-resistance, - tag-smiling, "toke" and the inevitable - mysterious moon mom-and-tarzan-populated this selve sound and so is an invitation to discover and rediscover the essence of the song.

A band is composed by Francisco Barrios on guitar and vocals, Iker Moranchel on electric guitar and choir, Joshua Vergara on drums and choir and Gustavo Franco on bass and chorus.

Between the cracks of an arcade that define a series of rooms left and under a cool night, we talked with the Mastuerzo carnallite and Jijos Maize and this is what he told us.


What is the weight that is currently the song? what the rolero commented, "I think a lot of what we hear music in a very general way so it has to do with the job of making song that is very particular and specific. For us it is still an exercise in my rolas traced to certain Jijos Maize and interpretive say give them another treatment. "

Hence, it is an experiment to try to take what might be called a workshop, which is characterized as "an experiment and we are changing the way as well as on tour and in our own way we are riding some material that seems relevant to the band and just that, the office the songs we distinguish some other songs which we mean, whether old or songs that do not exist. "

"Hence the song you want to write and I want to write and perform the song that does not exist beyond to make and keep remaking versions of your own rolas or other, which is another non-interpretive exercise . I think what I'm looking and looking with Jijos Corn in particular is another song that does not exist "comment.

On this premise, the song means to Mastuerzo" is what allows me to express my feelings of world, the universe, from the most immediate and up aloof and distant, or apparently absent. I think the song and the songs we've put together has to do particularly with my craft maker of songs, which is why we are starting from this axis in particular are songs that I say, as the majority of songwriters, rolero, troubadours or whatever you want. The songs are the soundtrack of our lives or our soundtracks.

What songs that mean? Pointed out "They will not be the one you like most people, because in principle there are some variables that go into choosing songs , that there are still some way to my place in my personal life and I try to share with some band in particular Jijos with corn and of course we are always trying to make clear that these songs we're going up or riding or by having the currency and relevance in what we are experiencing, ie the world is infinite and infinite song of music in general.

But we must not forget that everything has to do with a framework with which we began this conversation, as the song that really means, "ie, that represents us at the moment, so here and now."

A corn Jijos that beyond being an immediate reading of a statement, but goes beyond, "having to do with all that the popular Mexican dirachería to me personally I've always known. But first the corn Jijos is a song that would be a song that incorporates the same Jijos of corn, but basically is a statement of other forms; Viva Mexico, cabrones!, Which are about abstract for some it means ".


who commented said very happy to be back in these parts Potosí, coming several of its members accompanying the MSc. Texeidor León Chávez on his first visit here, and a great pleasure to be part of the draft Francisco Barrios cress.

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